The restoration of 1996 addressed only the damage sustained from a recent fall. Prior to this accident, the window is described in Vol.15 of Studies in the History of Art "Stained Glass before 1700 in American Collections New England and New York (Corpus Vitrearum Checklist I)", "A few stopgaps have been used near the edges, and there is severe breakage."

This window and its mate "Squash", for the private residence of George Kemp, represents Tiffany's first commission and officially begins his commercial stained glass career.

Chicago's Columbian Exposition of 1893 establishes Tiffany's reputation as the world's preeminent designer of glass, and fostering his ascent in the commercial glass field to the Midwest and the rest of the United States. His "Chapel" demonstrates the rich variety of ecclesiastical works the firm is capable of producing. Tiffany is awarded fifty-four honorary medals at the Chicago Exposition.

A painting by Heinrich Hofmann, now in the Dresden Museum, was the model for this window, chosen because the face resembled that of the donor's daughter. This 6' x 20' window was donated by Mrs. Simon Somerville Reid in memory of her daughter Lily Reid Holt and her husband Alfred Lincoln Holt. Also by Tiffany Studios for First Presbyterian Church of Lake Forest: "FAITH" 1896 and "CHRIST & the PILGRIMS" 1897 restored by Venturella Studio, 1999 & 2000.

The Eagle, four Arabesque side panels, and five Decorative Urns surrounding four intimate views of the Spring, Summer, Autumn, and Winter originally made up Tiffany’s "Four Seasons" window. It was first exhibited at the Exposition Universelle of 1900 in Paris where Tiffany's exhibit was awarded the Gold Medal. Incorporated into a circular design under the eagle's right wing is "LCT", while "FAVRILE", also in a circular design is under the left. In 1905-06 Tiffany divides "The Four Seasons" and installs individual panels in Laurelton Hall, his home in Oyster Bay, Long Island.

The color images represent existing sections of The Four Seasons, arranged in their original placement for the Paris Exposition 1900. "Eagle", "urns", and "Border Panels" were restored by the Venturella Studio in 2000.

This 4' diameter, triple plated allegorical window depicts an aspect of life in the State of Pennsylvania.

There is no name for this Wright design. Small pairs of casements were set around the first floor of the Martin House. Those which were located on the four sides of the massive, hollow interior piers by which the house was heated were later removed. Many of these are now in museum and private collections.

This 4' diameter, triple plated allegorical window depicts an aspect of life in the State of Pennsylvania.

This window depicts a sheep farm in Ireland and was commissioned in 1905 for the Greensburg, Pennsylvania, residence of Thomas Lynch who was born in 1854 in Uniontown, PA. According to the family, the farm depicted in this window is that of Thomas' grandfather, in Ballyduff near Dungarvan, Ireland, in County Waterford. A period photo of 1896 provided by Lynch's descendants confirms this.

The sumac motif, executed in gold iridized glass repeats the pattern of the Dining room breakfast nook in the Susan Lawrence Dana House in Springfield, Ill.

Inspired by the flesh and portrait painters of late 19th & early 20th century glass artists, works done by Indre McCraw are 100% hand painted and fired. There is no silk screen, photo transfer, airbrush, or any other mechanical process by which she achieves the final look of the piece.

Work done by Indre McCraw is 100% hand painted and fired. There is no silk screen, photo transfer, airbrush, or any other mechanical process by which she achieves the final look of the piece.